Awards Conditions of Entry

2023 BADC Awards

See below for Conditions of Entry

Key Dates

Awards Launch 17th July

Early Bird Deadline 7th August

Final Deadline 14th August

Awards Ceremony 11th November 2023

Eligibility

To enter the 2023 Awards, entries must have been conceived in Queensland and have been first published, printed, broadcast or released online between 1 July 2022 and 30 June 2023.

Charity/Pro Bono and Discounted Work

More and more Charities are paying clients and operate as other clients do, rather than pro bono as in times past. BADC recognises that pro bono work for Charity clients continue to offer greater creative opportunities for creatives and production suppliers.

To make the entry and judging process clearer, we have removed the separate charity categories and now ask for detail on whether the work was produced pro bono (at no charge) or charged well below market rates and the details.

By declaring this and the nature or the discount, it will afford the judges the opportunity to take these circumstances into account when judging the work.

Craft Entries

Craft entries and awards may only be entered by the Craftsperson for that discipline, however the entrant company may now also be recognised in the overall medal/finalist tallies.

General Information

Trophies

Any creative work that is judged to be of Gold, Silver or Bronze standard is awarded with a trophy. One trophy per entry will be awarded on the Awards night and additional trophies may be ordered after the Awards Night, by anyone listed in the credits of the work. If you are a current BADC Member, you can order duplicate trophies for any awards you are credited on at a discounted price.

BADC Membership

BADC Membership is from 1st May 2022 to 30th April 2023 – don’t forget it could be a tax deduction too. You should join/renew now and don’t forget to update your online profile with your current job information and your current address so we can get your Annual to you after the Awards Night.

This profile is also an invaluable reference for making people aware of your work and if you are a freelancer, allows people to find you for work! Except for the student category, only current members of BADC may enter and accept Awards.

You can join or renew your membership atBADC.com.au. Membership is $95/yr

Why be a Member?

  • You get an Online member’s profile
  • You are eligible to enter and receive Awards
  • Professional development – be a part of your industry
  • Membership is tax deductible
  • Discounted awards night tickets – $25 value
  • Discounted entry to events – $10 per event
  • That’s your money back right there!

Awards Night Tickets

The BADC Awards Night will be a Gala Dinner Event on November 11 at The Fortitude Music Hall with the After Party at the same location..

Ticket numbers for the Awards night will be subject to any COVID restrictions at the time of the event and allowable venue capacity.

Tickets will go on sale in September and will be released to entrants first before going on sale publicly.

How the Judging Works

With the advent of COVID, judging is now conducted completely online and allows us the opportunity to invite more judges not only locally but also from interstate and overseas.

With great care, we determine who will be invited to judge the work. Panels are assembled by invitation only, and the high calibre of our panels is matched by the high standards that we hold them to and the rigorous processes they undertake.

Judging consists of viewing, voting, discussion and awarding of trophies.

  • In the first round of judging, judges review and score each entry on a scale of Yes/No if they consider it a shortlist candidate. The entry must receive 50% of the vote to proceed.
  • In the second round of judging, a percentage is allocated by each judge and the average score is calculated, positioning the entry as a finalist or a medallist.
  • The final discussion round is conducted online over several hours. Guided by the Jury Chair, judges review and debate entries in the shortlist before voting on whether they consider each a Gold, Silver or Bronze winner, or Finalist only. It takes a majority vote to claim a trophy.
  • Once each panel has agreed on its final medal/finalist results, all judges are assembled for the Best of Show discussion. Each panel presents their suggested Best of Show entry to each of the other panels and each is discussed and debated at length before a final vote is taken.

Before completion of judging, to encourage and award a commitment to fostering creativity, a Client of the Year may also be awarded at the judging panels discretion.

Before You Enter

  1. If you have several entries, appoint an Awards Co-Ordinator to collate all the necessary information to ensure your entries comply and have the best chance of success through the judging process. This person will become the point of contact for any awards questions so should be available throughout the judging timeframe until the Awards.
  2. Share this Entry Kit with all persons who are involved in the decision-making process of determining what your company will enter.
  3. Review all the creative work your company has done since July 1, 2021, until June 30 2022 and consider what is award worthy. Be critical and look at what work has won in previous years at BADC. You can review previous work previously awarded medals or finalists at BADC.com.au
  4. Category selection is crucial – you want to make sure that the work is in the right category to ensure the judges see it in its best light. If you aren’t sure which category is applicable, please email [email protected] or call Katrine on 0418 885 648 to discuss.

Preparing Your Entries

  • Prepare all your case studies, judging files, digital presentation boards, hero images and supporting images.
  • Prepare your credits – print out the entry form for each category you are entering and find and fill in the required credits. Remember BADC is about crediting individuals – all people who have contributed to the work should be correctly credited. Every entry must be entered by up to two current financial members of BADC (subject to category). These members are who will be called to the stage on the night or read out if the entry is successful.
  • Ensure all members who are entering have paid their membership and you have their member numbers to enter. They can join or renew their membership hereThen go online and start entering all your information into the entry system – submit and pay for your entries – once you are prepared, it will take you no time at all to do the entries

The Legal Stuff

Conditions of Entry

You need to read this!

  • The awards are administered by the Brisbane Advertising and Design Club (ABN 41 360 791 543) (‘BADC’).
  • All entries are subject to the conditions set out below. By submitting an entry, the entrant agrees to be bound by the following terms, without limitation.
  • BADC reserves the right to amend these terms at any time.

Eligibility

  • Work entered must have been conceived (or in the case of craft categories, produced) in Queensland and have been first published, printed, broadcast or gone online between 1st July 2021 to 30th June 2022.
  • Membership runs for 12 months from 1st may to 30th April of the following year. Please make sure your membership is up to date before your entries are completed.
  • You will not be able to finalise your entries until each entrant has renewed so best to do it first! You can join online or renew at www.BADC.com.au.

Who Can Enter?

Current Members

  • Two of the main creators of the entry must be current members of BADC.
  • For the design, craft, and self promotion categories only one of the major creators of the entry must be a current member of BADC.
  • The entrant must ensure that their membership is up to date for 2022 – 2023 before their entry(ies) are completed.

Students

  • Students may submit work in the student category. “student” means an entrant who is a currently enrolled at a recognised training organisation or has completed their course at a recognised training organisation in 2022.

Queensland Residents

  • In addition, the main creator(s) of the work that is the subject of the entry must have been a resident of Queensland at the time the entry was produced or conceived. “resident of Queensland” means a permanent residential address in Queensland and being enrolled on the Queensland electoral roll.

How to Enter

Entry Requirements

  • The entry must comply with these terms and conditions, including the entry requirements (Schedule 1) and category requirements (Schedule 3) in this entry kit.

Entry Form

  • An official entry must be completed online for each entrant and the submitted entry is evidence of the entrant’s consent to these conditions of entry.

Entry Fees

  • Full payment of the entry fee/s (Schedule 2) outlined in this entry kit is required before BADC will consider an entry.

Specific Guidelines

Campaign Entries

  • Campaign entries consist of 3- 5 pieces of the strongest work of the campaign . A minimum of 3 pieces and maximum of 5 pieces of work must be submitted.
  • A 150-word explanation of the Campaign must also be submitted. This may be used in the Award Database and any publicity to explain the entry if it is successful.

Charity/Pro Bono Entries

  • BADC recognises that many Charity clients are now fully paying clients rather than pro bono. However Pro bono opportunities are beneficial to the development of creatives and production suppliers wishing to show what they can do, and are a positive for society. We recognise that it is also free from the restrictions and limitations of working within the parameters of a marketing team, and is therefore a less restricted playing field.
  • To make the entry and judging process clearer, we have removed the separate charity categories and now ask for detail on whether the work was produced pro bono (at no charge for professional fees) or charged well below market rates and the details.
  • By declaring this and the nature or the discount, it will afford the judges the opportunity to take these circumstances into account when judging the work. Pro bono work is not eligible for Best of Show.

Proof of Conditions Met

  • BADC and/or judges reserve the right to ask for proof of any of these conditions of entry, which must be submitted within five (5) business days.

Representations and Warranties

The entrant represents and warrants that:

  • unless permitted otherwise in these conditions of entry, the entry will be the entrant’s own work (meaning that it was produced, created, or conceived by the entrant);
  • it is authorised on behalf of their employer, principal, board or otherwise the rights holder(s) of the work, and the relevant client(s) to submit the entry.
  • the entry is not a Scam Advertisement.
  • it has obtained all releases and consents necessary to submit, exhibit, publish and otherwise use of the entry for the purposes described in these conditions of entry.
  • all costs incurred in relation to the entry have been met before the entry is submitted (including but not limited to the costs of licensing);
  • the entry does not contain any form of computer virus, worm, trojan and/or any form of malware, and is otherwise uncorrupted.
  • as of the date of submission, the entry is not the subject of any actual or threatened litigation, claim or complaint.
  • the entry does not contain any material that is offensive, defamatory, discriminating, obscene, indecent, harassing or threatening or is otherwise unlawful.
  • the entry does not and will not violate or infringe upon the intellectual property rights or other rights of any third party.
  • the entry does not and will not violate any Applicable Laws:

Applicable Laws means any applicable law that is enacted, made, issued or granted by any Government Agency, or court in each case as amended, modified or supplemented from time to time and with which BADC and entrant are required to comply

  • the entry has been submitted in good faith.
  • it will comply with all reasonable requests and directions made from time to time by BADC in relation to the entry.
  • it will not engage in any unlawful or improper behaviour which may or will likely damage the reputation of BADC, its employees and contractors and/or the success of BADC and the Awards.
  • it will not act in a manner which may or will likely damage the reputation of BADC, its employees and contractors and/or the success of BADC and the Awards.
  • it has read these conditions of entry in full; and
  • it understands and agrees to be bound to these conditions of entry.

The entrant acknowledges and accepts that in relation to each representation, warranty that:

  • BADC relies on each representation and warranty of these conditions of entry and BADC continues to rely on each representation and
  • BADC will suffer loss or damage if a representation and/or warranty is untrue or becomes untrue or is breached.

The entrant agrees that:

  • each of the above warranties and representations are essential to these conditions of entry, and that a breach of any of the above amounts to a fundamental breach of its terms, which will entitle BADC (in its sole discretion) to seek relief for such breach, which includes but is not limited to:
  • rejecting an entry.
  • disqualifying an entry.
  • withdrawing an entry.
  • review and/or reverse the decision to award an entry.
  • seeking damages; and
  • equitable/injunctive relief.
  • This clause survives termination or expiry of these Conditions of Entry for any reason.

Liability

  • BADC bears no responsibility for any loss, damage, or penalty incurred as a result of the entrant’s participation and/or involvement in the Awards.
  • If the entry contains any material or elements that are not owned and/or licensed by the entrant and/or which are subject to the rights of third parties, the entrant is:
  • responsible for obtaining any and all releases and consents necessary to permit the exhibition and use of the entry prior to submission of the entry; and
  • is liable for any loss, damage, claim, or penalty associated with its failure to comply with this requirement; and
  • will indemnify BADC against any loss, damage, claim, or penalty associated with its failure to comply with this requirement.

Decisions are Final

  • All BADC and Judges’ decisions in relation to any aspect of the Awards are final; and
  • No correspondence and/or discussion will be entered into.
  • Notwithstanding the foregoing, BADC and the Judges’ reserve their right to:
  • reject.
  • disqualify.
  • withdraw.
  • review and/or reverse the decision to award
  • an entry any time, if the entrant has failed to comply with these conditions of entry.

Right of Refusal and Disqualification

  • BADC and the Judges’ reserve their right to:
  • reject.
  • disqualify.
  • withdraw.
  • review and/or reverse the decision to award an entry any time if the entrant has failed to comply with these conditions of entry.
  • The entrant agrees that neither BADC, Judges nor the BADC committee will be liable in any way for any decision.
  • BADC and/or Judges reserve the right to disqualify any entrant who enters a work or submits and entry that is not in accordance with these Conditions of Entry, or who tampers with the entry process.
  • BADC and/or Judges reserve the right to disregard any part or parts of an entry or work, without disqualifying or disregarding the entry or work in its entirety.
  • BADC and/or Judges reserve the right to disqualify any entry under any category or subcategory without disqualifying the same entrant or work under any other category or subcategory.
  • Any decision will be final, and no correspondence will be entered into subsequently.
  • No refunds will be issued for any entry, or part thereof, if BADC and/or Judges disqualify or disregard such entry; and
  • Failure by BADC to enforce any of its rights at any stage does not constitute the waiver of those rights.

Entrant Withdrawal

  • An entrant may withdraw their entry at any time by notifying BADC, in writing; and
  • No refunds will be issued for any such entry withdrawn by the entrant.

Trophies and Credits

  • One trophy per award will be issued, with the option to order additional trophies after the Award Night, at the entrant’s cost.
  • Only names of the members detailed in “entered and accepted by” – will be engraved on the trophy and will be called to the stage on the Awards Night if successful.
  • Only those people named on the entry in the Contributors will be eligible for duplicate trophies; and
  • There will be no changes made to credits for trophies after entries have been submitted.

Damage or Loss of Entry

  • While all reasonable care will be taken, BADC will not be held responsible for damage or loss of any entry or part thereof, or errors or omissions in credits produced in the Awards Night Presentation, Trophies or Annual.
  • The accuracy and spelling of the credits is entirely the responsibility of the entrant.
  • No credits can be changed after the final close of entry.

Digital Entries Only

  • Judging will be conducted online so all entries may only be submitted digitally. NO physical entries will be accepted.
  • For entries such as packaging/direct mail, photographs of the final product at various angles, must be submitted for the judges to view. Ensure the photography shows your entry at its best for the judges to see. Judges may request the final finished product also be submitted for verification purposes only.

Finalist Displays

  • Entrants agree that by entering the awards, they authorise BADC to use, reproduce and/or exhibit work entered into the awards for the purpose of advertising and promoting the awards and/or other BADC documents, activities, programs and events, including but not limited to online display and/or at any finalists night event.
  • The work may be reproduced in any medium.
  • BADC is not required to pay a fee to use, reproduce or exhibit any work entered in the awards; and
  • Artists will be acknowledged with all published images.

Privacy

  • BADC’s web privacy policy applies to the awards and use of BADC’s website.

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Entry Requirements – Schedule 1

Unless specified elsewhere in these Conditions of Entry, or another Schedule, all entries must comply with the following Entry Requirements.

General

  • The entry must be submitted in the exact form in which it was broadcasted, published or released with all logos, disclaimers etc, regardless of category or medium (this includes but is not limited to director’s cuts);
  • No work that is the subject of an entry should be enhanced or enlarged in any way unless otherwise provided for in these conditions of entry.
  • The entry must not be altered for submission purposes, unless otherwise stated in these conditions of entry.
  • The entry and supporting materials must not contain any reference to an Agency or any contributing creative companies or individuals, except for Self-Promotion entries.
  • To be eligible the entry must have been:
  • conceived in Queensland and have been first published, printed, broadcast or released online between 1 July 2021 and 30 June 2022; or
  • in the case of Craft categories, produced in Queensland and have been first published, printed, broadcast or released online between 1 July 2021 and 30 June 2022.
  • No entries will be accepted that were created for or on behalf of BADC.
  • No Agency branding can appear on any printed artwork, web addresses or case studies.

No Scam entries will be accepted

BADC reserves the right to publicly withdraw any entry or awards which is found to be Scam Entry.

Examples of “Scam entries” include, but are not limited to:

  • An advertisement which has been created solely for the promotion of its creators via advertising awards; and/or otherwise
  • An advertisement for a client that the Agency does not have.
  • An advertisement that’s never run or appeared in media.
  • An advertisement that has been run illogically or subversively (e.g., An advertisement for a launderette in Rochedale that is run at 4am on Imparja TV) purely to qualify it for award entry.
  • An advertisement that the client has no knowledge of;
  • An advertisement whose media appearance has been subsidised in whole or in part by the creator.
  • An advertisement for a client who is not a credible marketer and who has been engaged by the creator for the purposes of running the advertisement; and
  • An advertisement that is altered from the form in which it first ran to enhance its chances of winning an award (e.g., deletion of a coupon or reduction of logo size).

Submission Formats

Only Digital Entries will be accepted and must be submitted as per the specified requirements for each category. No physical entries will be accepted.

Before submitting any work, please ensure that you remove anything that can identify the entrant company or entrant. This includes.

  • Any Agency Branding/names on the file or in any file names/URLs
  • Any individual names
  • Any Agency Logos
  • Any clappers or credits
  • Any reference to company name/s or individual name/s in any of the explanation fields

This material is what the judges will review for each category. Each category has different mandatory and optional material requirements. Entries that do not provide the mandatory material, will be charged $50 per entry to re-submit or withdrawn from the category and no entry fees will be refunded.

Broadcast Video MP4

FILM + FILM CRAFT The file quality of the entry is the responsibility of the entrant, and the file uploaded will be used for judging, publicity, and online viewing. The MP4 must be:

  • 264 compressed.
  • High definition, e.g. 1920 x 1080 pixels;
  • Native aspect ratio without black bars, e.g. 16:9;
  • 8mbs maximum bitrate.
  • 400mb max file size;
  • Audio must be stereo, at its full quality; and
  • No clapper or countdown.
    Variable or lower bitrates can be used. A 60sec TVC will be around 60mb and a 5 min video around 300mb. For longer content a lower bitrate can be used, if necessary, For help with H.264 compression, entrants may contact the Post Production Company to make a copy for submission. This may incur a cost.

Broadcast Audio MP3

RADIO + SOUND CRAFT Entry must be uploaded in the Browser as a minimum 128 kpbs MP3 file.

  • No slate audio should be attached.
  • No web links or embedded videos will be accepted in this category.
  • The file quality of the entry is the responsibility of the entrant, and the file uploaded will be used for judging, publicity, and online viewing; and
  • A PDF of the Radio script without agency branding must also be submitted.

Image of the Published Work

All print categories:

  • Image of the work exactly as it was published.
  • Images to use the same file and requirements as hero images.
  • For any printed work (PRESS/OUTDOOR/DIRECT/SELF PROMOTION) a high-res JPEG is required for judging.
  • For photographic entries – JPG – up to 10MB.

Hero Images

Every entry must be submitted with a Hero Image – this will be used in any BADC Awards Night presentations, and on the BADC website; The specifications of the Hero Image are:

  • File Type – High Resolution RGB JPG.
  • Approximate Dimensions – A6 @300dpi minimum (1748 x 1240 pixels);
  • TV Entry Dimensions – 1920 x 1080 @72dpi.
  • File Size – 5mb maximum.
  • Landscape orientation is recommended, as portrait work will be scaled down significantly for the website annual.
  • For Campaign entries, or other entries with multiple executions, the Hero Image must be a composite that represents the campaign, and shows the entry in the best light possible; and
  • For Radio entries, the Hero Image must show the script and may include the logo of the client.

Supporting Images

Images to show the entered work for the judges; in some categories this is mandatory, in others optional.

  • Images to use the same file and requirements as hero images.
  • Images of the actual items must be submitted.
  • For packaging, book, and direct entries you should include images from front, back, sides to ensure the judges can see all views.
  • Pdfs may be submitted for multi-page documents; and
  • Judges may request the final product to verify publication.

Case Study Video MP4

For categories where you may submit a Case Study Video for the judges to review. Please ensure it summarises the work, including the brief, idea and execution. The film should be specific to the category and will be viewed by the judges and displayed publicly.

  • The MP4 must be:
  • 264 compressed.
  • High definition, eg 1920 x 1080 pixels;
  • Native aspect ratio without black bars, eg 16:9;
  • 8mbs maximium bitrate.
  • 400mb max file size.
  • Audio must be stereo, at its full quality; and
  • No clapper or countdown.
  • Maximum length of two (2) minutes.
  • It is mandatory that case studies are submitted with royalty free music only.
  • Case studies may be required for screening at the Awards night so must be uploaded on the entry screen and not as a URL link.
  • Any Finalists with a case study will be requested to submit a 30″ edited version for use at the Awards Night if it is successful as a Gold Award. The edited case study must be submitted. within 5 days after being contacted.

Digital Presentation Board

The board should show the idea and work with images and a short summary of the brief, idea, and execution.

  • Ensure font sizes are large and clear enough for online viewing. The judges must be able to read the board, or your entry may be disqualified.
  • Recommended size 300 dpi JPG, min 2000 pixels wide or high.
  • It should show the work as it was published, including all text.
  • No agency branding can appear anywhere on the board unless it is self promotion.

URL

The direct URL link to the original execution as it was commercially released.

  • If it’s an app, please provide a URL link to the downloadable link of the app.
  • If the site is no longer live, then a self-contained version should be available on an unbranded staging server. BADC will not be held responsible for URL addresses that don’t work during judging.
  • Must be live from submission date and remain live
  • Must be viewable on a Mac, using Chrome.
  • URLs must start with http:/ or https:/ and preferably be accessible without login or password
  • The URL path and website must contain no agency branding or logos

In Situ Images

Up to 5 x images showing the original work in place where it ran or was featured.

  • Images to use the same file and requirements as hero images.
  • For photographic entries, an image of the final artwork using the photographic image

Explanation Field

150-word summary of the brief, idea and execution.

Delivery explanation Field

Detail how the work was delivered.

Client Letter

For Creative Effectiveness entries, a letter from the client must also be submitted. Download the Client Letter and have your client put on letterhead and sign. Upload it to the entry system.

Duration

For Film Craft entries, please also record the duration of the entry

Before + Afters

  • For visual effects category – entry must include a before and after video, to give judges a clear understanding of visual effects created in the production process.
  • For creative imaging category, entry must include before and after images to establish origins of work

Entry Fees – Schedule 2

Early Bird Fees

Save 30% -up until 28th July 2022:

  • Standard Categories – per entry $110.00
  • Campaign Categories – per campaign $225.00
  • Creative Effectiveness Category – per entry $300.00
  • Student Category FREE

Late Entry Fees

Entries submitted up until 5th August 2022:

  • Standard categories – per entry $143.00
  • Campaign categories – per campaign $292.50
  • Creative effectiveness category – per entry $390.00
  • Student category FREE

Prices are per entry and include GST. Entries are paid via debit/credit card at time of submission.

Incomplete or Incorrect Entries

  • Any incomplete or incorrect entries that require BADC to contact the entrant are subject to a $50 charge per entry for any changes, re-submissions, etc: and
  • This charge must be paid immediately to validate the error, or the entry will be deemed ineligible.
  • It is vitally important for judging that entrant provide the required submission options – if the required submission options are not provided and are required to be re-submitted after close of entries, a $50 per entry fee will be charged for any updates and to proceed to judging. If entrants do not pay the required change/re-submission fee, the entry/ies will be withdrawn.
  • Please check your entries carefully before submitting to prevent being charged the $50 correction fee for each entry that requires correction.

Categories – Schedule 3

  • Any reference to the category is also a reference to its subcategories; and
  • All category guidelines form part of the Conditions of Entry
  • ALL categories INCLUDING CRAFT are ONE EXECUTION PER ENTRY unless it is a campaign entry. (Minimum 3 – maximum of 5 executions per entry).

1. Film

This category is for commercials created for television, video on demand, cinema, online, and large screen. Judges will be judging the idea not the craft in this category and should demonstrate creativity and amazing storytelling for the brand.(You must be able to provide proof of delivery when requested.

Subcategory See Page 14-16 or click hyperlink for specs

1001 TV & VOD – Under 30 Seconds

Commercials created for Television or Video on Demand Services. If entered here, it cannot be entered into Online, Interactive or Large Format.### Mandatory

Optional

1002 TV & VOD – 30 Seconds & Over

Commercials created for Television or Video on Demand Services. If entered here, it cannot be entered into Online, Interactive or Large Format.### Mandatory

Optional

1003 Large Format

The work must be for large format including cinema, outdoor and LCD screens and must have been created for this format, not TV/VOD. If it has been entered in TV/VOD it cannot be entered here.### Mandatory

1004 Online

The work must be standard form advertising films which aired ONLY online, including pre-roll advertisements; Judges will assess the work based on how it worked as only an online piece. If the work appeared on TV, cinema or large screen, it cannot be entered in this category.### Mandatory

1005 Campaign

3 – 5 pieces of work (minimum of 3), of any length – please detail in the explanation which format/s the campaign applies to (TV/VOD, Large Format, Interactive, Online) and how it was delivered.### Mandatory

2. Radio

Radio advertising which is broadcast over a radio station, platform, or streaming service.

Subcategory See Page 14-16 or click hyperlink for specs

2001 Under 30 Seconds

Radio advertising under 30 seconds which is broadcast over a radio station, platform, or streaming service.### Mandatory

Optional

2002 30 Seconds & Over

Radio advertising 30 seconds or over which is broadcast over a radio station, platform, or streaming service.### Mandatory

Optional

2003 Campaign

3 – 5 pieces of work (minimum of 3). Radio advertising which is broadcast over a radio station, platform, or streaming service.

Mandatory

Optional

3. Digital

From websites to AI, apps to mobile, the digital communications category recognises excellence in all things digital.

The judges are looking for work that pushes the expectations of the digital medium. That demonstrates creative innovation and that begs to be engaged. Work that interrupt news feeds, browsing and second screening. Judges will award entries that stop and make them watch, engage, click, like and remember.

Subcategory See Page 14-16 or click hyperlink for specs

3001 Mobile

A branded application created for mobile platforms or devices. Includes (but not limited to) apps, web apps, mobile games, eCommerce, E-learning etc. The entries should demonstrate how a handheld or wearable environment is integral to the idea and the execution.### Mandatory

Optional

3002 Banners & Rich Media Advertising

A display ad or native ad created for a brand, product, or service. Could include pre-rolls, banners, over-the-page, pop-ups, and Google AdWords.### Mandatory

Optional

3003 Creative Technology (NEW)

Innovative use of digital. Digital advertising that uses new technologies or data in a creative and continually innovative way. Includes VR, AR, 360, A.I., device-led content, connected products, wearables, advanced learning, voice, messaging and programmatic.### Mandatory

Optional

Subcategory See Page 14-16 or click hyperlink for specs

3004 Creative use of Data (NEW)

Entries should demonstrate how the work was enhanced by the creative and strategic use, interpretation, analysis, or application of data. The idea must be centred around a data-driven strategy and the results / impact must be clear and tangible.A number of criteria will be considered during judging and weighted as follows: 30% strategy; 20% application; 20% innovation; 30% impact and results.### Mandatory

Optional

3005 Digital Tools & Utilities

A branded digital tool, website, service or utility technology that provides a useful function or solves a problem for the user, through a seamless and innovative user experience.### Mandatory

  • URL/Staging Server Campaign Entries

  • Campaigns entries must be a minimum of three (3) and a maximum of five (5) works

  • Ensure this is reflected in the URLs and files you upload for your category

  • Hero image

  • Explanation

Optional

3006 Websites

A website, web page or campaign microsite created to promote a brand, product or service. This includes all new full sites as well as microsites. The judges will consider not only the idea of the work but also functionality, UX design, visual design and interaction design.### Mandatory

Optional

3007 Integrated Digital Campaign

A digital-only integrated campaign consisting of at least 3 up to 5 elements, executed across at least 3 digital platforms e.g.: websites, banners, social media, online video, mobile, eDM, app, digital kiosks.### Mandatory

Optional

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4. Integrated Media Campaign

This category will reward campaigns where a central idea is successfully executed across a variety of media, eg. TV, print, online, mobile, ambient. Entries must include a minimum of three items in DIFFERENT mediums – for example, 1x TV, 1x Radio, 1x Poster.

Integrated Media campaigns are reliant on all elements for the creative to be successful. Each channel should demonstrate how it adds to the campaign. If one piece is removed and the campaign doesn’t work, it isn’t an integrated campaign.

Work entered in this category cannot be entered in the Creative Innovation category. Digital only campaigns should be entered into Digital Integrated.

Subcategory See Page 14-16 or click hyperlink for specs

4001 Integrated Media Campaign

3 – 5 pieces of work executed across at least THREE DIFFERENT channels. Judges will be looking to see how the idea has been enhanced in each channel not simply repeated.### Mandatory

Optional

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5. Branded Content

Rather than using traditional advertising methods and sponsorships, branded content is work built around a brand that has merged advertising and entertainment to engage consumers. It must be work that captivates and creates cut through to communicate a brand message.

This includes films created by or with a brand which aired on the internet, TV, or in cinema, usually in the form of documentary/non-fiction or fiction films or music videos, games, immersive experiences

PLEASE NOTE –** TVCs should NOT be entered in this category unless they are a different execution produced intentionally for the required media. If a TVC is entered in any 1100+ categories, it will be disqualified in this category.**

Subcategory See Page 14-16 or click hyperlink for specs

5001 Branded Content

Only one piece of work per entry can be entered in this category.### Mandatory

Optional

5002 Branded Content Campaign

3 – 5 pieces of work (minimum 3).### Mandatory

Optional

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6. Creative Innovation

It simply does not fit any other category and shows forward thinking and creativity to communicate the brand’s message.

Any creative execution that is remarkably innovative in it’s approach to providing a service or creating brand interaction.

Work entered into this category CANNOT be entered into any other category – excluding the Craft categories

Any work that fits another category better must be entered in that category – this category is for clear demonstration of innovation in communication.

Subcategory See Page 14-16 or click hyperlink for specs

6001 Creative Innovation

Only one piece of work per entry can be entered in this category.

Mandatory

Optional

7. Experiential (NEW)

Experience-led activations that encourage interaction between brands and consumers. Utilising a physical or online space, this work provides the opportunity for the consumer to interact with the brand through touch, taste, smell, seeing and hearing.

Subcategory See Page 14-16 or click hyperlink for specs

7001 Events & Experiences (NEW)

Held in a public space, this is a brand owned experience, activation or immersive environment. It can be stand alone or occur within a bigger event. Includes public events, brand owned festivals, concerts, venue takeovers, trade show booths , pop up and product demonstrations.### Mandatory

Optional

7002 Guerrilla Marketing & Stunts (NEW)

An out-of-home experience or brand activation that involves something live, and are witnessed by an audience in real-time. Includes live performances, guerrilla marketing, street stunts, short/one-off live executions, street teams, demonstrations, and promotional events.### Mandatory

Optional

7003 Retail (NEW)

Brand experiences and activations that took place within a retail environment, that enhance the purchasing process. Can include in-store activities, product activations, demonstrations, pop-ups, seasonal displays, sampling activities, and street vendor experiences.### Mandatory

Optional

7004 Online Experiences

Brand activations designed to be experienced on digital platforms.### Mandatory

Optional

8. PR Led Creativity (NEW)

Innovative and creative “PR Led’ ideas which prioritise the effective use of a PR Strategy to communicate the brand message.

How the work achieved the intended result must be demonstrated via your digital presentation board or Case Study Film.

A number of criteria will be considered during judging and weighted as follows: 20% idea, 30% strategy, 20% execution, 30% impact and results.

Subcategory See Page 14-16 or click hyperlink for specs

8001 PR Amplification Campaign (NEW)

Utilising a creative approach to content amplification and distribution in order to reach the largest potential audience for a brand message. Entries should demonstrate how a combination of paid, shared, owned and earned media contributed to increased brand engagement and awareness.

Mandatory

Optional

9. Press & Outdoor (Updated)

Recognising creative excellence in Press and Outdoor advertising. Includes work created for static, digital, interactive and unconventional sites. Experiential outdoor work such as activations and pop-ups should be entered into the Experiential category.

Subcategory See Page 14-16 or click hyperlink for specs

9001 Press Advertising – Single

Single advertisement in newspapers or magazines published in consumer or trade press – can be full page, spreads, small space or other.

Mandatory

Optional

9002 Press Advertising – Campaign

3 – 5 (minimum of 3) advertisements in newspapers or magazines published in consumer or trade press – can be full page, spreads, small space or other.### Mandatory

Optional

9003 Poster Advertising – Large Format – Single

A single OUTDOOR Poster that appears on a conventional poster site. This includes digital billboards, static sheet billboards, adshells, outdoor supersites, spectaculars, metrolites, street furniture, transit and dynamic displays. Entry will not proceed to judging without in situ images for outdoor.### Mandatory

Optional

9004 Poster Advertising – Small Format – Single

A single Poster (A0 or less) that appears on a conventional small poster sites indoors and outdoors. This includes indoor shopping centre digital billboards,, transit and dynamic displays.### Mandatory

Optional

Subcategory See Page 14-16 or click hyperlink for specs

9005 Poster Advertising – Campaign

3 (minimum) – 5 poster advertisements that have appeared in any format Outdoors or indoors. Entry will not proceed to judging without in situ images for outdoor.

Mandatory

Optional

9006 Ambient & Special Build

Non-standard and free-format advertising that adapts existing outdoor sites, or makes use of unconventional spaces and materials. Includes special build, building exteriors, adapted street furniture, large scale signage. NOTE: Please refer to the Experiential category for installations, stunts and events.### Mandatory

Optional

10. Direct

Marketing communications delivered straight to the consumer and designed to elicit a direct response from a target audience. Any work that is 1:1 Marketing – targeted and response-driven creativity

  • Must be client commissioned – work created for your own company, including agency promotion, self-promotion, xmas card, invitations must be entered into self promotion.
  • If entry is one dimensional/multi-dimensional mailing, it must be submitted as photographs from different angles for the judges, as they were mailed including any outer envelope, letter, brochure and response mechanisms. Judges may request actual sample to be submitted for verification.

Subcategory See Page 14-16 or click hyperlink for specs

10001 Direct Mail

Any digital, one dimensional or multidimensional mailing that demonstrates targeted and response driven creativity. Includes door drops, letters, postcards, mail packs, eDMs, greeting cards, invitations, etc.### Mandatory

Optional

10002 Direct Response

Any media. An ad designed specifically designed to elicit a direct response from the brand’s targeted demographic. Entries must contain a response mechanism.

Mandatory

Optional

10003 Direct Response Campaign

Minimum of 3 – 5 works, You must provide details of how it ran in your explanation.### Mandatory

Optional

Subcategory See Page 14-16 or click hyperlink for specs

10004 Retail

Singular activity or material existing in a point-of-sale or retail context that is used to drive consumer engagement with a brand. Includes retail promotions, displays, incentives, loyalty programmes, social media promotional competitions, and end-to-end customer journeys.### Mandatory

Optional

10005 Retail Campaign

3 – 5 pieces of activity or material existing in a point-of-sale or retail context that is used to drive consumer engagement with a brand. Includes retail promotions, displays, incentives, loyalty programmes, social media promotional competitions, and end-to-end customer journeys.### Mandatory

Optional

11. Design

Entries will need to demonstrate how design has been used to define a brand or communicate its key messages; work in which a unique visual identity leads to consumer recognition or understanding.

Subcategory See Page 14-16 or click hyperlink for specs

11001 Brand Identity – New (NEW)

Creation of a new brand or corporate identity for any product, service or organisation. The work should express the brand through 3-10 elements across multiple platforms, such as business cards, stationary, logo, network ID, branding guidelines etc.### Mandatory

Optional

11002 Brand Identity – Refresh (NEW)

A new identity system for an existing brand, organisation, product or service.The work should express the brand through 3-10 elements across multiple platforms, such as business cards, stationary, logo, network ID, branding guidelines etc.### Mandatory

Optional

11003 Logos

A single logo or family of logos that identifies a company or product whilst still communicating the brand. Can be static or in motion.The company name and nature of business must be included in the explanation

Mandatory

Optional

Subcategory See Page 14-16 or click hyperlink for specs

11004 Promotional Items & Brand Merchandise

Focus will be on the design of the item to promote a brand and should demonstrate a clear understanding of the target audience. Can include clothing, promotional gifts, items and merchandise.### Mandatory

Optional

11005 Print Marketing

Graphic design for printed items, publications & editorial including catalogues, brochures, manuals, instruction booklets, annual reports, direct mail, album covers, printed games, stationary, invitations, postcards and other material including menus, promotional items like shopping bags, mugs, clothing etc. You may only submit one execution per entry. Packaging design should be entered into the Packaging Design category.### Mandatory

Optional

11006 Poster

Graphics-led printed posters that promote a product or service, either single or double-sided. Focus will be placed on the design of the poster. The entry should have been created as a poster, and not a concept conceived for another medium and applied to a poster format. You may only submit one execution per entry – multiple executions must be submitted as individual entries.### Mandatory

Optional

11007 Press & Magazine

Graphic design for Individual or whole publication and editorial design in magazines and articles. Includes covers, spreads, sections and supplements.### Mandatory

Optional

Subcategory See Page 14-16 or click hyperlink for specs

11008 Product Packaging – Single

Innovative design for every kind of packaging – all work entered must be for a produced retail product, not a concept or mock-up. Physical samples may be requested for verification.

Mandatory

Optional

11009 Product Packaging – Range

3 +pieces of work – all work entered must be for a produced retail product, not a concept or mock-up.Physical samples may be requested for verification. Innovative design for every kind of packaging### Mandatory

Optional

11010 Wayfinding, Signage & Environmental Graphics

The design of a system of signage to direct people across time and space in unfamiliar places, or to enhance the environmental and brand experience. Focus is placed on the seamless brand experience, crowd direction and navigation. Can be indoor, outdoor, temporary or permanent. Includes public signs, residential smart maps, use of beacons, and office, event and festival signage.### Mandatory

Optional

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12. Self Promotion

The work you do for your own business, OR a company you own to generate awareness, not client commissioned.

Self-Promotion work cannot be entered into any other category , except Craft.

Self-promotion entries for Photography craft, Illustration craft, and TV, cinema & radio craft must be entered in the relevant craft categories, rather than Self-promotion, as they will be judged by the Craft panels; 1 x execution per entry

Subcategory See Page 14-16 or click hyperlink for specs

12001 Print

For any print executions that have promoted your agency or companies you own. You may only submit one execution per entry – multiple executions must be submitted as individual entries.### Mandatory

Optional

12002 Direct

For any direct executions that have promoted your agency or companies you own.### Mandatory

Optional

12003 Digital

For any digital executions including websites that have been created to for your agency or any companies you own. You may only submit one execution per entry – multiple executions must be submitted as individual entries.### Mandatory

Optional

Subcategory See Page 14-16 or click hyperlink for specs

12004 Merchandise

You may only submit one execution per entry – multiple executions must be submitted as individual entries.### Mandatory

Optional

12005 Other

Mandatory

Optional

13. Creative Effectiveness

Creative effectiveness’ purpose is to award campaigns that link long term business results to their creative.

  • Any previous Medal winner from 2017 on may be entered. Finalists do not qualify.
  • This Award is to be judged by an Effectiveness Panel consisting of Senior Marketing Clients, Strategy Planners and Executive Creative Directors.
  • Criteria considered during judging are weighted as follows: 25% idea; 25% strategy; 50% impact and results.

Entry process:

  • Fill in the online entry system with all credits as per normal
  • Check and complete the additional fields required in the online entry system.

Subcategory See Page 14-16 or click hyperlink for specs

13001 Creative Effectiveness

Please search the BADC Database and indicate the previously awarded MEDAL work that you are submitting as an effectiveness entry.Fill in the requested information on the entry form. All credits must still be entered for the original work.### Mandatory

14. Student

The Student brief will be announced in mid – August and will be due late September 2022.

Students can only enter in the Student category. Student entries will not be accepted in any other categories;

  • The entry must respond to the Student Brief when available;
  • Students do not need to be a member to enter;
  • Entries are not required online;
  • The entrants’ name, contact number, and recognised educational institution must be provided on the entry; and
  • Students are eligible for trophies.

Craft Categories

Craft awards recognise, celebrate, and reward the art of the execution by individuals, rather than the idea.

These categories will be judged on the craft demonstrated for each entry.

  • Work entered in the other categories may also be entered in this category.
  • Craft Awards will only be awarded to the craftsperson/s. Agencies/Companies cannot be awarded under this category; however, they may order duplicates of the trophy if successful.
  • If you are an Agency/Company entering on behalf of the craftsperson, you must contact the craftsperson to ensure they are not already entering and that their membership is current. You cannot submit craft entries in your name. It must be in the craftsperson’s name. Duplicate entries will not be refunded.
  • It is not necessary for the work to have been created in Queensland or for the final product to have appeared in Queensland. However, the work to be considered must have been produced in Queensland.
  • Only entries that have been broadcast, published, or released in a commercial environment will be accepted; Director’s cuts ARE NOT PERMITTED.
  • Any reference to the category is also a reference to its subcategories; and
  • All category guidelines form part of the Conditions of Entry

21. Film Craft

The Film Craft Category celebrates technical skill and creative prowess in production, and its contribution to how it enhances an idea’s execution.

Work to be entered here can include online branded films, long form branded content, TV & Cinema commercials, TV programme promotions, Film promotions and TV & Cinema Title Sequences.

For Direction, Cinematography and Editing categories there is a duration field so that entries of similar length can be grouped together for judging.

The judges strongly recommend you enter your best cut of a work rather than multiple cuts of different durations.

You may only enter one piece of work per entry. There are NO campaign categories.

Subcategory See Page 14-16 or click hyperlink for specs

21001 Direction – TV/VOD/Cinema

​​Direction for ads broadcast on TV, cinema, and in TV-on-demand streaming services. How the director has translated the creative brief and enhanced the creative idea and brought it to life, via the chosen production and postproduction elements.### Mandatory

Optional

21002 Direction – Branded Content

​​Direction for content where a brand is an integral feature of the story. Judges will take into consideration how the entry’s media formats influence the edit craft. Includes longer-form film, films within games, online videos and social videos. How the director has translated the creative brief and enhanced the creative idea and brought it to life, via the chosen production and postproduction elements.### Mandatory

Optional

21003 Cinematography – TV/VOD/Cinema

​​This category recognises the craft of outstanding cinematography, for ads broadcast on TV, cinema, and in TV-on-demand streaming services. How it contributes to bring a creative idea to life. Camerawork, cinematic techniques, shot composition, lighting, style and artistic choices will all be taken into account by the judges.### Mandatory

Optional

Subcategory See Page 14-16 or click hyperlink for specs

21004 Cinematography – Branded Content

​​This category recognises the craft of outstanding cinematography, for ads broadcast on TV, cinema, and in TV-on-demand streaming services. How it contributes to bring a creative idea to life. Camerawork, cinematic techniques, shot composition, lighting, style and artistic choices will all be taken into account by the judges.### Mandatory

Optional

21005 Editing – TV/VOD/Cinema

All aspects of the film’s edit will be considered, including timing, pace, visual and dialogue dynamics, sound integration and overall storytelling. The judges are looking for innovation and flair in the editing decisions, and think about the part that the edit has played in the success of the final execution.### Mandatory

Optional

21006 Editing – Branded Content

All aspects of the film’s edit will be considered, including timing, pace, visual and dialogue dynamics, sound integration and overall storytelling. The judges are looking for innovation and flair in the editing decisions, and think about the part that the edit has played in the success of the final execution.### Mandatory

Optional

21007 Visual Effects

The combination of visual elements taken from separate sources and integrated into the same frame. The judges will consider the aesthetic and technical excellence of the effects and CG elements themselves, along with the success of their integration into real footage, or a realistic CG environment.

Mandatory

Optional

Subcategory See Page 14-16 or click hyperlink for specs

21008 Animation – 2D

A piece of 2D animation with characters and environments that do not attempt to accurately represent nature or the built environment.

Mandatory

Optional

21009 Animation – 3D

A piece of 3D animation with characters and environments that do not attempt to accurately represent nature or the built environment.

Mandatory

Optional

21010 Motion Design

Animated graphics and images focusing on design principles and techniques. These may be created for, TV & Cinema title sequences, presentations, animated signage, online animation, stage graphics and environmental installations such as technology walls and stadiums.### Mandatory

Optional

21011 Self Promotion

Non-commissioned work you have completed for yourself and not on behalf of a client; and this category is open for any of the film crafts detailed here and must showcase your skills.If a number of people contributed to this work and wish to enter their contribution, each entry must be separate with its own explanation detailing contribution### Mandatory

22. Sound Production Craft

The application of sound and the composition of music for TV ads, Radio, online or games.

Judges will prioritise craft over idea in this category and how the Composer/Audio Engineer have applied technical excellence to contribute the overall success of the project.

Subcategory See Page 14-16 or click hyperlink for specs

22001 Original Compositions/Jingles

Original music that has been specially composed for film, audio and gaming projects. The artistic achievement of the track itself will be considered, along with its contribution to the piece as a whole.### Mandatory

Optional

22002 Best Use of Existing Music

Re-recorded or remixed version of an existing (licenced) piece of music that has helped enhance an idea.Judges will consider how the composer has re-recorded or remixed the track and how this version supports the idea, to deliver on the creative brief.### Mandatory

Optional

22003 Sound Design

Judges will consider how sound design contributes to bringing the idea to life, through the combination of created, manipulated, or generated audio elements### Mandatory

Optional

22004 Sound Production – Radio

Judges will consider how the audio engineer has contributed to the the combination of direction, performance, casting and sound, to bring the final piece together.### Mandatory

Optional

23. Digital Craft

Entries should demonstrate exceptional form and function in a digital context; work with flawless design, masterful execution and outstanding user experience created for all digital environments.

Subcategory See Page 14-16 or click hyperlink for specs

23001 UI Design

The aesthetic composition, information architecture and visual design of a user interface for a website, mobile platform or other digital piece.Includes website, mobile platforms and other digital work.### Mandatory

Optional

23002 UX Design

Judged on the seamless user experience including interactivity and navigation, to gain an emotional and behavioural response from the user.Includes website, mobile platforms, and other digital work.### Mandatory

Optional

24. Photography Craft

For photographic images that may or may not have been digitally enhanced prior to publication as part of the photographic process, including but not limited to colour correction and retouching.

  • Entry must be completely original and photographic in origin; and ALL elements in an image must be the creator’s work.
  • Stock or purchasable photography, backgrounds, borders and textures are prohibited, except for in the creative imaging category.
  • If any persons appear in the photograph, the entrant is responsible for obtaining, prior to submission of the photograph, all releases and consents necessary to permit the exhibition and use of the photograph; and
  • If any person appearing in any photograph is under the age of 18, the signature of a parent or legal guardian is required on each release.

Subcategory See Page 14-16 or click hyperlink for specs

24001 Advertising

Entry must be accompanied by an image in situ of the printed piece for which it was commissioned. Only one image per entry may be submitted. For multiple entries – please enter Advertising Campaign.### Mandatory

Optional

24002 Advertising Campaign

3 – 5 pieces of commercially released work may be submitted.Entries must be accompanied by the printed pieces for which they were commissioned.### Mandatory

Optional

24003 Editorial

Images photographed for editorial content – Entry must be accompanied by the printed piece for which it was commissioned. This is not a campaign category only one execution per entry.### Mandatory

Optional

Subcategory See Page 14-16 or click hyperlink for specs

24004 Self Promotion

This is non-commissioned work you have completed for yourself and not on behalf of a client; The Self-Promotional Category allows photographers to show their point of difference – how do you explore ideas, how do you put your mark on it, how do you go out on a limb, how does it show who you are and what is your signature style. Without a client or an art director, this is an opportunity to show technical skill plus passion, something unique that is resolutely your style. Something that no one else could have done. This is not a campaign category – only one execution per entry. Include in your explanation how the work was used for self-promotion; how it was distributed or published; and any other data BADC and Judges should be aware of.### Mandatory

24005 Creative Imaging

Work submitted in this subcategory must be extensively computer manipulated or be completely computer generated.### Mandatory

Optional

24006 Creative Imaging Campaign

Must include 3 – 5 pieces of work.Work submitted in this subcategory must be extensively computer manipulated or be completely computer generated.### Mandatory

Optional

25. Illustration Craft

Subcategory See Page 14-16 or click hyperlink for specs

25001 Advertising

Entry must be accompanied by an image in situ of the printed piece for which it was commissioned.Only one image per entry may be submitted.### Mandatory

Optional

25002 Editorial

Must be commissioned for editorial purposes; and Entry must be accompanied by the printed piece for which it was commissioned.

####

Mandatory

Optional

25003 Self Promotion

Non-commissioned work you have completed for yourself and not on behalf of a client. The Self-Promotional Category allows illustrators to show their point of difference – how does it show who you are and what is your signature style. Without a client or an art director, this is an opportunity to show technical skill plus passion, something unique that is resolutely your style. Something that no one else could have done.Include in your explanation how the work was used for self-promotion; how it was distributed or published; and any other data BADC and Judges should be aware of.### Mandatory

26. Advertising & Design Craft

Recognising creative excellence in advertising and design craft, judges will prioritise craft over idea.

NOTE: Campaigns can only be entered as either ‘individual’ spots or ‘campaign’ and not into both.

Subcategory See Page 14-16 or click hyperlink for specs

26001 Copywriting

Creative ideas brought to life by the copywriting. This can be for any medium listed in the above categories. Ensure you submit the final work in the appropriate format

Mandatory

Optional

26002 Copywriting Campaign

Creative ideas brought to life by the copywriting. This can be for any medium listed in the above categories. Ensure you submit the final work in the appropriate format

Mandatory

Optional

26003 Art Direction

Creative ideas brought to life by the copywriting. This can be for any medium listed in the above categories. Ensure you submit the final work in the appropriate format

Mandatory

Optional

26004 Art Direction Campaign

Creative ideas brought to life by the copywriting. 3 -5 pieces of work may be submitted as a campaign.This can be for any medium listed in the above categories. Ensure you submit the final work in the appropriate format### Mandatory

Optional

26005 Typography

The art of arranging type and lettering for commercial design and advertising projects. This can be for any medium listed in the above categories. Ensure you submit the final work in the appropriate format

Mandatory

Optional

26006 Typography Campaign

The art of arranging type and lettering for commercial design and advertising projects. 3 -5 pieces of work may be submitted as a campaign. This can be for any medium listed in the above categories. Ensure you submit the final work in the appropriate format

Mandatory

Optional